You might know Lizzy Caplan, eternal sidekick, as Jason Segel's girlfriend on television's Freaks and Geeks. Or as the struggling comedienne from Party Down, or the vampire vegan on True Blood, or from the movie The Bachelorette earlier this year?
A series of mishaps and bad choices leaves the impetuous, impoverished Ashley (Abbie Cornish) caring for a young Mexican immigrant (Maritza Santiago Hernandez).
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Among her other problems, Ashley's child is taken away from her because of her self-destructive personality.
Using illegal immigration as a frame to explore the slow awakening of a tough-shelled young Texas woman, The Girl is a patient chamber piece about the emotional bruises left by poverty and neglect.
Even before we fully know her circumstances, Ashley (Abbie Cornish) introduces herself as a victim of race and class discrimination. A sullen single mother and minimum-wage drone in a south Texas supermarket, she opens the film with a request for a raise. When denied, she refuses to accept her supervisor's criticism of her attitude.
The Hobbit's path to the screen may have started out as tortuous as a trek through the deadly Helcaraxe, filled with detours (Guillermo del Toro was initially going to direct), marked by conflict (New Zealand labor disputes) and strewn with seemingly insurmountable obstacles (so many that the filmmakers threatened to move the shoot to Australia).
It would take a heart of stone — or zero tolerance for soap — to resist Any Day Now, a full-throttle weepie about a West Hollywood gay couple trying to adopt a neglected boy with Down syndrome.
Marilyn Monroe's life has captivated the public's imagination for decades, and most recently has been given voice by today's famous actresses in Love, Marilyn.
We're long past the point where, at least among half-sentient beings, we need to make a case for the intelligence and sensitivity of Marilyn Monroe. Even when cast as a dumb blonde, she was never just your stock ditzy dame: She always showed a breezy self-effacement that was too sly to be purely accidental.
And to look at her, of course, is to love her, particularly now that her sad story has become part of the cultural landscape: How can you not want to protect such beauty and vulnerability from the cruelty of the world?
The O'Haras don't talk much about what's wrong, but the members of this biracial Queens family — the central characters of Yelling to the Sky -- are bedeviled by alcoholism (dad), mental illness (mom) and adolescent defiance (the two daughters). Indeed actress-turned-director Victoria Mahoney barely explains her characters' circumstances, which makes the movie obliquely intriguing. But whenever the story comes into focus, it's revealed as fairly conventional.
If this year the single-artist album looks to be on shaky ground — thanks to the EP's rise, the single's continuing dominance and the neither-nor of hip-hop mixtapes and online dance DJ mixes — the officially sanctioned compilation album would seem even wobblier. In the age of Spotify (not to mention the age of iTunes), most listeners make their own multi-artist playlists as a matter of course.
An armed man waves his rifle as buildings and cars are engulfed in flames after being set on fire inside the U.S. Consulate compound in Benghazi late on Sept. 11.
Credit Ben Curtis / AP
Then-envoy Chris Stevens speaks to local media in Benghazi, Libya, on April 11, 2011.
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President Obama responds to the attack at the U.S. Consulate in Benghazi as Secretary of State Hillary Clinton looks on in the Rose Garden of the White House on Sept. 12.
Credit J. Scott Applewhite / AP
Witnesses are sworn in on Capitol Hill on Oct. 10, before testifying at a House Oversight and Government Reform Committee hearing on the attack on the U.S. Consulate in Benghazi, Libya.
Credit Evan Vucci / AP
U.N. Ambassador Susan Rice leaves a Nov. 28 meeting on Capitol Hill with Sen. Susan Collins, R-Maine, and Sen. Bob Corker, R-Tenn., about the Benghazi terrorist attack.
Originally published on Thu December 13, 2012 6:54 pm
When most drivers get a ticket from a speed-zone camera, there's little they can do but pay the fine. After all, the ticket often includes photographic proof that their car was over the limit. But a Maryland driver is fighting his $40 fine precisely because of what the photos show: his car, sitting at a red light.