A new exhibit at the Light Factory documents our desire to, well, document everything. It’s called Connected There but Not Always Here and it questions our relationship with social media and how it influences our relationships with each other. The exhibit will be on display through May 19.
Friday marks the day that 100 years ago, Grand Central Terminal opened its doors for business for the very first time. The largest railroad terminal in the world, the magnificent Beaux-Arts building is in the heart of New York City on 42nd St. And while it no longer serves long-distance trains, it's still a vibrant part of the city's eco-system.
In the Romeo and Juliet-inspired Warm Bodies, a zombie known only as R (Nicholas Hoult) falls in love with Julie (Teresa Palmer), who's still human.
Credit Adopt Films
Brutus (Salvatore Striano) delivers the final blow to the dying Caesar (Giovanni Arcuri) during a performance of Shakespeare's JuliusCaesar in the film Caesar Must Die.
The Italian art-house film Caesar Must Die and the teen zombie-comedy Warm Bodies do not, at first glance, appear to have much in common. But they share a bit of creative DNA, both being inventive riffs that turn Shakespearean tragedies into something else entirely.
Intended as a victory lap for three great stars of advancing age, Stand Up Guys is another entry in the "old folks doing stuff" subgenre, which offers comic affirmation that life is not strictly for the young.
Sung Kang plays a D.C. cop at large in New Orleans, where he finds himself in an uneasy alliance with hit man Sylvester Stallone in the blues-rock driven crime drama Bullet to the Head.
Credit Frank Masi / Warner Bros. Pictures
Sarah Shahi's tattoo artist — who has ties to both Kang and Stallone's characters — falls into the clutches of a mob enforcer (Jason Momoa).
Adapted from a French graphic novel and outfitted with an ethnically diverse cast, Bullet to the Head is an artifact of a newly internationalized Hollywood. But that doesn't mean it feels especially new.
