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Ed Ward

Ed Ward is the rock-and-roll historian on NPR's Fresh Air with Terry Gross.

Ward is the author of The History of Rock and Roll, Volume 1, 1920-1963, and a co-author of Rock of Ages: The Rolling Stone History of Rock & Roll, Ward has also contributed to The New York Times, The Wall Street Journal, and countless music magazines. The first part of his two-volume history of rock and roll, covering the years 1920-1963, will be published by Flatiron Books in the fall of 2016.

Ward lives in Austin, Texas. He blogs at City on a Hill.

  • Ed Ward connects the dots of the British band's eight studio albums, which were just collected in a box set.
  • Ed Ward reviews the reissued catalog from the multiracial, multi-generational ska band.
  • Memphis has been a music town since anyone can remember, and it's had places to record that music since there have been records. Some of its studios — Sun, Stax and Hi — are well-known, but American Studios produced its share of hits, and yet remains obscure.
  • Street Corner Symphonies is a 15-volume year-by-year survey of doo-wop by scholar Bill Dahl.
  • There are lots of stories about the band that got away. For rock historian Ed Ward, one of those groups has always been Autosalvage, a New York quartet who made one album and then stopped playing.
  • Sam Phillips once referred to Howlin' Wolf's voice as "where the soul of man never dies." Phillips, who worked with dozens of great Memphis musicians, never changed his mind. Rock historian Ed Ward examines the evolution of Wolf's singular talent.
  • Before the Civil Rights movement, segregated American cities helped give birth to the Chitlin' Circuit, a touring revue that provided employment for hundreds of black musicians. Rock historian Ed Ward profiles two recent books which illuminate the conditions these musicians endured.
  • SMiLE may be the most famous unreleased album of all time, but it's not really unreleased: Bits and pieces of it wound up on other Beach Boys albums. Now that EMI has assembled a definitive collection of the session tracks, Ed Ward has listened to them — and wonders what the shouting was about.
  • Al Green wrote "Take Me to the River," but it was his labelmate Syl Johnson who first made it famous. Rock historian Ed Ward traces Johnson's early career, which started in Chicago blues clubs in the 1950s.
  • Stone is known to millions from the records he made with Sly and the Family Stone. But his early days, and the recordings he produced for his own Stone Flower label, add another dimension to the career of this enigmatic character, rock historian Ed Ward said.