Andrew Lapin
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A bored-seeming Matt Smith plays the famous — and famously provocative — photographer in a plodding film that too-dutifully ticks familiar scenes off the Great Artist Biopic checklist.
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Critic Andrew Lapin reviews the 10 short films nominated in the live-action and documentary categories this year, and offers his picks for both what will — and what should-- win.
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Four of the five animated-short nominees this year are weepy tales of parent-child relationships; critic Andrew Lapin reviews them all, and picks his favorite.
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When it focuses on 13-year-old Chengxi (Joseph Huang), this "shaggy-but-lovable" Taiwanese film now on Netflix dutifully tugs the heartstrings.
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Jean-Luc Godard's digressive film grapples with societal collapse through footage that has been distorted and reshuffled, hypersaturated or bleached of all color, until it is just barely recognizable.
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The debut feature from Melissa B. Miller strains to endear itself to viewers — and some performances succeed. But the characters lack personality and the drama any conflict.
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Two cowboys who left Singapore for the American West return home to avenge the death of their father in this giddy, fast-paced B-movie.
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Robert Zemeckis adapts a gripping documentary about one trauma survivor's low-fi art project; the result is a "bloated and lifeless" drama that trivializes his experience.
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This uber-violent film about a remorseless serial killer (Matt Dillon) requires an iron stomach, but it's a "thoughtful, honest onscreen meditation on morality and personal culpability."
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Sure, this lush, blistering riff on pop stardom — and the many ways it intersects with a culture obsessed with both violence and celebrity — is over-the-top. That's the point.