Chris Klimek
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The film dutifully captures the 14 songs from the Boss' latest album, but the half-hour of extra interstitial footage doesn't supply any new or meaningful context.
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The in-jokes and callbacks come at you faster than the zombies do in this agreeable return to the world of the 2009 horror-comedy.
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In this 'buoyant but slight' Netflix film, Eddie Murphy plays comic Rudy Ray Moore, who found blaxploitation stardom in the persona of the swaggering Dolemite.
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Distance — both interplanetary and emotional — is the subject of James Gray's "stirring sci-fi epic" that stars Brad Pitt and Tommy Lee Jones.
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Film critic/Springsteen superfan Chris Klimek says Gurinder Chadha's film about a British-Pakistani kid who finds inspiration in The Boss's music is affected and cloying.
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The "genial flexfest" of a spinoff is the "most agreeable" of the franchise, which once again slickly repackages set pieces from other, better, more innovative action films.
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Call it peak Tarantino: The writer/director's ninth film — about a Manson-family-adjacent actor and his stuntman — is an ode to the grimy, neon-lit place and time that shaped him.
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The latest summer action-comedy to attempt to satirize summer action-comedies by upping the violence, Stuberwastes its two charismatic leads in an unfunny riff on 2004's Collateral.
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The sequel to the sequel to the classic 1971 blaxploitation film is fueled by gay-panic jokes and poorly staged, violence-is-the-answer set pieces.
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The sequel to the 2014 Godzillafinds two scientists and a bunch of monsters stranded in an undercooked story about an underdeveloped monster.