Community Calendar

Artist Talk: April 25, 2-3 pm
Workshop: April 30, 6-8 pm

Through the Ether is a group of mixed media works deeply influenced by and connected to film editing. April collects and stores unrelated images from different modalities and mediums—3D modeling, photographs, paintings, advertisements. She removes the color, texture, and context from which they originate. These elements form a visual depository or footage bin, from which she uses the montage process to construct a new landscape independent of their source. This reconstruction process resembles building a scene in a film. However, it creates an emotional landscape unto itself, devoid of the requirements of narrative and story—nullifying the necessity of a beginning, a middle, and an end.

About April Simmons: April received her BFA from the Savannah College of Art and Design and her MFA from the School of the Art Institute of Chicago in film. She worked as an experimental non-narrative filmmaker and as a film editor for both nonfiction and fiction films. Her films have screened at the New York Film Festival at Lincoln Center (Views), Anthology Film Archives in New York, the Rotterdam Film Festival, the Boston Museum of Fine Arts, and the Museum of Contemporary Photography (MoCP) in Chicago, among others. April taught film production, theory, and history at the university level for nearly two decades. She began working in digital photo collage and mixed media in 2022. Her work has been shown at The Galleries at Cabarrus Arts Council (“Liminal”) and at The Mint Museum (“Coined in the South”) in Uptown Charlotte.

Artist Talk: April 25, 2-3 pm
Workshop: April 30, 6-8 pm

Through the Ether is a group of mixed media works deeply influenced by and connected to film editing. April collects and stores unrelated images from different modalities and mediums—3D modeling, photographs, paintings, advertisements. She removes the color, texture, and context from which they originate. These elements form a visual depository or footage bin, from which she uses the montage process to construct a new landscape independent of their source. This reconstruction process resembles building a scene in a film. However, it creates an emotional landscape unto itself, devoid of the requirements of narrative and story—nullifying the necessity of a beginning, a middle, and an end.

About April Simmons: April received her BFA from the Savannah College of Art and Design and her MFA from the School of the Art Institute of Chicago in film. She worked as an experimental non-narrative filmmaker and as a film editor for both nonfiction and fiction films. Her films have screened at the New York Film Festival at Lincoln Center (Views), Anthology Film Archives in New York, the Rotterdam Film Festival, the Boston Museum of Fine Arts, and the Museum of Contemporary Photography (MoCP) in Chicago, among others. April taught film production, theory, and history at the university level for nearly two decades. She began working in digital photo collage and mixed media in 2022. Her work has been shown at The Galleries at Cabarrus Arts Council (“Liminal”) and at The Mint Museum (“Coined in the South”) in Uptown Charlotte.

Artist Talk: April 25, 2-3 pm
Workshop: April 30, 6-8 pm

Through the Ether is a group of mixed media works deeply influenced by and connected to film editing. April collects and stores unrelated images from different modalities and mediums—3D modeling, photographs, paintings, advertisements. She removes the color, texture, and context from which they originate. These elements form a visual depository or footage bin, from which she uses the montage process to construct a new landscape independent of their source. This reconstruction process resembles building a scene in a film. However, it creates an emotional landscape unto itself, devoid of the requirements of narrative and story—nullifying the necessity of a beginning, a middle, and an end.

About April Simmons: April received her BFA from the Savannah College of Art and Design and her MFA from the School of the Art Institute of Chicago in film. She worked as an experimental non-narrative filmmaker and as a film editor for both nonfiction and fiction films. Her films have screened at the New York Film Festival at Lincoln Center (Views), Anthology Film Archives in New York, the Rotterdam Film Festival, the Boston Museum of Fine Arts, and the Museum of Contemporary Photography (MoCP) in Chicago, among others. April taught film production, theory, and history at the university level for nearly two decades. She began working in digital photo collage and mixed media in 2022. Her work has been shown at The Galleries at Cabarrus Arts Council (“Liminal”) and at The Mint Museum (“Coined in the South”) in Uptown Charlotte.

Artist Talk: April 25, 2-3 pm
Workshop: April 30, 6-8 pm

Through the Ether is a group of mixed media works deeply influenced by and connected to film editing. April collects and stores unrelated images from different modalities and mediums—3D modeling, photographs, paintings, advertisements. She removes the color, texture, and context from which they originate. These elements form a visual depository or footage bin, from which she uses the montage process to construct a new landscape independent of their source. This reconstruction process resembles building a scene in a film. However, it creates an emotional landscape unto itself, devoid of the requirements of narrative and story—nullifying the necessity of a beginning, a middle, and an end.

About April Simmons: April received her BFA from the Savannah College of Art and Design and her MFA from the School of the Art Institute of Chicago in film. She worked as an experimental non-narrative filmmaker and as a film editor for both nonfiction and fiction films. Her films have screened at the New York Film Festival at Lincoln Center (Views), Anthology Film Archives in New York, the Rotterdam Film Festival, the Boston Museum of Fine Arts, and the Museum of Contemporary Photography (MoCP) in Chicago, among others. April taught film production, theory, and history at the university level for nearly two decades. She began working in digital photo collage and mixed media in 2022. Her work has been shown at The Galleries at Cabarrus Arts Council (“Liminal”) and at The Mint Museum (“Coined in the South”) in Uptown Charlotte.

Artist Talk: April 25, 2-3 pm
Workshop: April 30, 6-8 pm

Through the Ether is a group of mixed media works deeply influenced by and connected to film editing. April collects and stores unrelated images from different modalities and mediums—3D modeling, photographs, paintings, advertisements. She removes the color, texture, and context from which they originate. These elements form a visual depository or footage bin, from which she uses the montage process to construct a new landscape independent of their source. This reconstruction process resembles building a scene in a film. However, it creates an emotional landscape unto itself, devoid of the requirements of narrative and story—nullifying the necessity of a beginning, a middle, and an end.

About April Simmons: April received her BFA from the Savannah College of Art and Design and her MFA from the School of the Art Institute of Chicago in film. She worked as an experimental non-narrative filmmaker and as a film editor for both nonfiction and fiction films. Her films have screened at the New York Film Festival at Lincoln Center (Views), Anthology Film Archives in New York, the Rotterdam Film Festival, the Boston Museum of Fine Arts, and the Museum of Contemporary Photography (MoCP) in Chicago, among others. April taught film production, theory, and history at the university level for nearly two decades. She began working in digital photo collage and mixed media in 2022. Her work has been shown at The Galleries at Cabarrus Arts Council (“Liminal”) and at The Mint Museum (“Coined in the South”) in Uptown Charlotte.

Artist Talk: April 25, 2-3 pm
Workshop: April 30, 6-8 pm

Through the Ether is a group of mixed media works deeply influenced by and connected to film editing. April collects and stores unrelated images from different modalities and mediums—3D modeling, photographs, paintings, advertisements. She removes the color, texture, and context from which they originate. These elements form a visual depository or footage bin, from which she uses the montage process to construct a new landscape independent of their source. This reconstruction process resembles building a scene in a film. However, it creates an emotional landscape unto itself, devoid of the requirements of narrative and story—nullifying the necessity of a beginning, a middle, and an end.

About April Simmons: April received her BFA from the Savannah College of Art and Design and her MFA from the School of the Art Institute of Chicago in film. She worked as an experimental non-narrative filmmaker and as a film editor for both nonfiction and fiction films. Her films have screened at the New York Film Festival at Lincoln Center (Views), Anthology Film Archives in New York, the Rotterdam Film Festival, the Boston Museum of Fine Arts, and the Museum of Contemporary Photography (MoCP) in Chicago, among others. April taught film production, theory, and history at the university level for nearly two decades. She began working in digital photo collage and mixed media in 2022. Her work has been shown at The Galleries at Cabarrus Arts Council (“Liminal”) and at The Mint Museum (“Coined in the South”) in Uptown Charlotte.

Shop for original works by local Native American artists and hear more from the artists themselves at USC Lancaster's Native American Studies Center, beginning Saturday, July 19!

These mini pop-up art sales offer original works by Native American artists, perfect for gifts or your personal art collection! Meet the artists and shop their creations from 10 a.m. – 4 p.m. on the following Saturdays this year:

· July 19
· Aug. 16
· Sept. 20
· Oct. 18
· Nov. 15
· Jan. 17
· Feb. 21
· March 21
· April 18

Admission is free and open to the public.

Artist Talk: April 25, 2-3 pm
Workshop: April 30, 6-8 pm

Through the Ether is a group of mixed media works deeply influenced by and connected to film editing. April collects and stores unrelated images from different modalities and mediums—3D modeling, photographs, paintings, advertisements. She removes the color, texture, and context from which they originate. These elements form a visual depository or footage bin, from which she uses the montage process to construct a new landscape independent of their source. This reconstruction process resembles building a scene in a film. However, it creates an emotional landscape unto itself, devoid of the requirements of narrative and story—nullifying the necessity of a beginning, a middle, and an end.

About April Simmons: April received her BFA from the Savannah College of Art and Design and her MFA from the School of the Art Institute of Chicago in film. She worked as an experimental non-narrative filmmaker and as a film editor for both nonfiction and fiction films. Her films have screened at the New York Film Festival at Lincoln Center (Views), Anthology Film Archives in New York, the Rotterdam Film Festival, the Boston Museum of Fine Arts, and the Museum of Contemporary Photography (MoCP) in Chicago, among others. April taught film production, theory, and history at the university level for nearly two decades. She began working in digital photo collage and mixed media in 2022. Her work has been shown at The Galleries at Cabarrus Arts Council (“Liminal”) and at The Mint Museum (“Coined in the South”) in Uptown Charlotte.

“Decomposers Glow,” an art installation with larger-than-life glowing snails and mushrooms, is the centerpiece for the museum’s summer programming and events

ROCK HILL, S.C. - Nature, art, and technology come together for “Decomposers Glow,” an awe-inspiring larger-than-life landscape of illuminated snails and mushrooms. Created by Meredith Connelly, a Charlotte, N.C. based and award-winning multidisciplinary artist, the site-specific installation portrays the agents of decomposition through an interplay of light and technology. A curving path leads visitors through a soft glowing, otherworldly environment to observe over one hundred hand-constructed and 3D printed sculptures. Decomposers Glow is open from May 10 – Nov. 10, 2024.
Leading viewers into Connelly’s “Decomposers Glow,” a concurrent exhibit highlights the variety and importance of nature’s agents of decomposition. “Return to Earth” features photographs of actual fungi by Mike Hammer, painted mushroom models, a Carolina Piedmont snail shell collection, and two-dimensional cut paper works by Meredith Connelly that reference nature’s microscopic structures. “Return to Earth” on exhibit at Museum of York County from May 4 – Dec. 15, 2024.
More of Mike Hammer’s photography is on exhibit in the museum’s Nature Nook Gallery. “Endless Trail” features the natural settings of the Carolina Piedmont and beyond, capturing the uniquely beautiful moments of each season. “Endless Trail” opens at Museum of York County on May 18, 2024.

Shop for original works by local Native American artists and hear more from the artists themselves at USC Lancaster's Native American Studies Center, beginning Saturday, July 19!

These mini pop-up art sales offer original works by Native American artists, perfect for gifts or your personal art collection! Meet the artists and shop their creations from 10 a.m. – 4 p.m. on the following Saturdays this year:

· July 19
· Aug. 16
· Sept. 20
· Oct. 18
· Nov. 15
· Jan. 17
· Feb. 21
· March 21
· April 18

Admission is free and open to the public.