Luis Clemens is NPR's senior editor for diversity. He works across the newsroom to build a broad foundation of diverse experts and sources in order to enhance NPR's news coverage.
In this position, Clemens is also part of NPR's Diversity team and is active partner in training initiatives at NPR and across public radio - helping to strengthen local coverage by expanding the range of content, sources, ideas and expertise.
Before joining NPR in 2010, Clemens was a frequent guest on NPR's programs, often interviewed about Latino voters.
Clemens began his career in journalism at the local Telemundo and NBC television stations in Miami. In 1993, he began working at CNN as an assignment editor. Three years later he was promoted to Buenos Aires bureau chief.
Following CNN, he went on to be a spokesperson for the United Nations World Food Programme in Zimbabwe.
Before re-starting a career in journalism and coming to NPR, Clemens owned and operated two laundromats in Xalapa, Mexico.
This quarter-page ad wasn't touting a brand or institution. It was pitching grilled beef as an example of the inherent attractiveness and value of Korean culture. So, who's behind this ad?
Zombies populate our books, graphic novels, movies and video games with race and slavery playing an unexpected role. Our national obsession with zombies dates back centuries and can be traced to Haiti. Code Switch examines how the word "zombie" was born and how it has taken a life of its own.
The teams play a crucial World Cup qualifying match tonight in Columbus, Ohio. Code Switch editor Luis Clemens writes about how he'll watch the game with divided loyalties.
The photographer behind a touching photo of five children that gained a lot of attention recently says that it is "good to know that even in this day and age, when we are bombarded by imagery from every direction, that one photograph can matter to someone."
Tom Wolfe's new novel is a sprawling portrait of Miami and its many ethnic groups, centering around a Cuban-American police officer and an immigration conflict. NPR editor Luis Clemens says the book nails the physical descriptions of Miami, but falls down badly in the portrayal of actual humans.