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  • Full-sized voices — voices more than willing to flaunt lung power and sheer loudness — are everywhere these days. A voice that can merge force with genuine feeling is another matter altogether, which is where Brandi Carlile, a relatively new talent from Seattle, comes in.
  • Much of Peder's music sounds like the eccentric score for an independent movie: On "Would You," the flat, plucked-out notes and ghostly piano sound like they await a Tom Waits vocal. Instead, Nino Moschella surfaces, his vocals bringing the longing in Peder's music out of the abstract.
  • Watch an intimate, stunning performance from the California singer-songwriter who embraces well-worn emotions with grace and beauty.
  • The United States stopped making plutonium-238, one of the most toxic substances known to man, 15 years ago. But now, citing national security needs, the government is preparing to start making it again at a site in the Idaho desert.
  • A new generation of huge telescopes has helped astronomers discover distant planets and galaxies. But they're just the start. Mirrors for what is to be the world's largest telescope are being cast in Arizona.
  • Gaelynn Lea shares her journey from performing at the Tiny Desk to scoring a Broadway show.
  • While Modest Mouse's "Dashboard" lacks the snaky charm of "Float On," it's a pure pop confection: danceable, uncomplicated and ripe for airplay. Fans too young to remember XTC can draw comparisons to Franz Ferdinand, what with the song's stiff, guitar-driven neo-disco rhythms.
  • Nellie McKay is a singer-songwriter known for her distinctive mix of jazz vocals and torch singing with cabaret pop, rock and a rap-inspired rants. Hear McKay in a full concert recorded live from Alexandria, VA.
  • Welsh bass-baritone Bryn Terfel conquered the world of opera in the '90s, singing at major concert venues the world over. Amid two New York City appearances, he visits the WNYC studios for an interview.
  • The jazz scene is abuzz about singer/pianist/composer John Proulx. His piano playing is hot and swinging, and his voice recalls the smooth mellow sounds of Chet Baker. He shows off his compositional skills, performing his own tune, "Stuck in a Dream with Me." Hear the performance.
  • When soft became the new loud in indie circles a few years ago, Iron and Wine quickly stepped ahead of the pack as the most arresting of the whispery, lo-fi new-folk artists. Led by the gentle-voiced Sam Beam, the group makes morose and mysterious music. Hear the band in a full concert.
  • Cahoone has been playing warm, easygoing, country-tinged roots music ever since shedding her role as Band of Horses' drummer a few years ago. In that time, she's come to suit a specific mood to perfection: Her songs are about comforting the weary — acknowledging exhaustion while offering reassurance.
  • With this live version of "Wonderwall," Mehldau reduces Oasis' most famous song to a post-bop stride-piano exercise.
  • When Edie Brickell & New Bohemians had a hit in 1989, the band performed "What I Am" on Saturday Night Live, where Brickell spied singer Paul Simon. Now she's teamed up with her stepson, Harper Simon, to form The Heavy Circles, an indie-rock band with dark harmonies.
  • In Lalo's evocative opera, the legendary, sunken city of Ys is destroyed by a heartsick princess, who learns that she and her sister are in love with the same man. From the Capitole Theatre in Toulouse, France.
  • A ferociously intelligent singer-songwriter, Jaffe never stops inventing, reinventing, exploring and reflecting on her (and our) place in a forbidding, foreboding world.
  • On its second album, the D.C.-area duo borrows heavily from the legacy of Dischord Records — at times recalling Fugazi, Smart Went Crazy and Shudder To Think — while still sounding fresh and vital.
  • On All Songs Considered, hosts Robin and Bob go through a slew of new music, featuring premieres from Sebadoh, Typhoon, Moderat and more. Also the mix-tape debate continues with Stephen Thompson.
  • Always provocative, the band jettisons post-punk thrash in favor of a sturdier Top 40 pop sound that recalls the early to mid-'80s.
  • Argentina's Gustavo Santaolalla and Uruguayan Juan Campodonico mix electronica with tango and folk. Their eight-piece band's new album, Presente, shimmers in a way their previous records didn't, with deceptively simple electronic textures.
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