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  • Even a ubiquitous figure like Chuck Berry has neglected gems gathering spiderwebs in remote corners of his catalog. Blues helps fill in a bit of his legend, showing how he transferred devices used by generations of blues guitarists into the then-new rebellion of rock.
  • Johnny Paycheck's Gospel Time in My Fashion was recorded in 1966, during a period when many country stars were doing gospel projects. It stands apart because Paycheck's sweet voice can't fully mask the orneriness underneath — and because the songs, even the waltzes, move at a brisk, buoyant clip.
  • Now four years old, TiVo has certainly moved beyond the realm of "early adopters." But despite ardent fans, the VCR-on-steroids has only about 700,000 subscribers, hardly a mainstream must-have device. NPR's John McChesney reports that technophobia and privacy concerns have held sales in check.
  • Citing "increasing reports of Ukrainian women feeling at risk from their sponsors," the U.N.'s refugee agency is urging U.K. officials to refine the matching process for its Homes for Ukraine program.
  • It is a basic truth in any counterinsurgency campaign: It is possible to win all the battles and still lose the war. Three years into the Iraq war, the U.S. military admits it has learned that the hard way. At Fort Irwin, soldiers are trained in new counterinsurgency tactics in an attempt to turn the tide of the war.
  • Bob Mondello looks at a new phenomenon that's been popping up on the web: people recutting footage from old movies and adding familiar music to suggest radically different films from the ones we know.
  • On any given day, hundreds of thousands of U.S. military veterans find themselves sleeping on the streets. Farai Chideya visits a Southern California intervention program for homeless veterans.
  • Election officials in Belarus say incumbent President Alexander Lukashenko has won the presidential vote by a huge margin. But the main opposition candidate is calling for a new election as thousands of his supporters jammed a main square in central Minsk.
  • A roundup of key developments and the latest in-depth coverage of Russia's invasion of Ukraine.
  • Trumpet won out of six other pooches, including a French bulldog, a German shepherd, a Maltese, an English setter, a Samoyed and a Lakeland terrier.
  • While Britons might be happy to see their prime minister go, Ukrainians hold him in higher regard.
  • The eyepatch-wearing pianist was among the most erratic characters in the Crescent City, and as a result, his discography includes few solid studio sides. Booker was prone to effusive showboating, but on this 1977 live recording, he sounds engaged playing songs that were staples of his live show.
  • When The Mars Volta purchased a ouija board in a Jerusalem curio shop and began to use it, the band had no idea how much it would affect its recording. Listening to The Bedlam in Goliath, the paranormal talk might not seem like such a publicity stunt.
  • Over an 18-month period, Joan Tower's Made in America was heard in all 50 states, played by 65 different orchestras. Her composition, conducted by Leonard Slatkin, has now netted three Grammy awards.
  • On its second album, the Leeds band is beholden to a motorik beat and the pulse it leaves behind. But Hookworms' members also explore the energy and chaos that such a solid anchor can provide.
  • In 2014, metal still believes in traditions and keeps the faith, but recognizes that evolution is inevitable — with some of its defenders kicking and screaming.
  • For centuries, the country turned its back on black musicians — including the jazz artists whose creations embodied freedom and empowerment. Today, the Cape Town International Jazz Festival is one of Africa's largest musical gatherings. Here are five musicians who played the festival this year.
  • Will Holland (a.k.a. Quantic) is now based in Cali, Colombia, where he started his latest project, Quantic Presents Flowering Inferno. Its new album, Dog With a Rope, features local musicians playing over his genre-blending production. Hear the album in its entirety until its release on July 13.
  • Synths got out of control in 2011, but Lars Gotrich picks the best, plus drone and abstract guitar.
  • Mark Padmore and Paul Lewis find the bitterness between Schubert's deceivingly sweet lines.
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