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Young Tuba Player Gets Nod from Phila. Orchestra

When the Philadelphia Orchestra opens its season next week, Carol Jantsch, 21, will be anchoring its brass section. She's the orchestra's youngest member and the first woman to hold a principal tuba chair in one of the nation's top orchestras.

Rejected at first as too inexperienced, Jantsch beat out 194 other tubists to win the job last winter, when she was a senior at the University of Michigan. She was given an audition after an orchestra official heard a tape of her playing.

Actually, it's fitting that Jantsch is so young because the tuba, invented in the 1830s, is the youngest of the brass instruments.

Renee Montagne discusses the history of the tuba with music commentator Miles Hoffman.

"There are different sizes of tubas, but they all are basically just a big brass tube," Hoffman says. If you straightened one out, it could be up to 32 feet long.

And they're as heavy as they look; most orchestral tubas weigh 25 to 35 pounds.

"Sometimes it actually sounds heavy, and it's meant to," Hoffman says. In Igor Stravinsky's ballet Petrouchka, for example, the tuba is used to convey the image of a big dancing bear.

It's a misconception that a tuba's weight prevents more women from playing the instrument, Hoffman says.

"When you're holding the tuba and playing it, it's the chair that you're sitting on that supports the instrument," he says. "So holding it up is not the issue.

"But it requires an enormous amount of air. And frankly it's just another one of these preconceptions, like the old notion that tuba players — men or women — couldn't play fast, that the instrument couldn't be made to sound virtuosic because the instrument itself was just too unwieldy."

But that perception is changing. "More and more people treat the tuba now as an instrument where anything is possible," Hoffman says. And more women are studying the tuba in conservatories around the country.

Copyright 2023 NPR. To see more, visit https://www.npr.org.

MusicMorning Edition
Renee Montagne, one of the best-known names in public radio, is a special correspondent and host for NPR News.
Morning Edition music commentator Miles Hoffman is the author of The NPR Classical Music Companion, now in its tenth printing from the Houghton Mifflin Company. Before joining Morning Edition in 2002, Hoffman entertained and enlightened the nationwide audience of NPR's Performance Today every week for 13 years with his musical commentary, "Coming to Terms," a listener-friendly tour through the many foreign words and technical terms peculiar to the world of classical music.