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The Avett Brothers: Fate And Consequences

For guys at the epicenter of so much music-world chatter — they just signed to a major label amid the buzz surrounding their frenetic live shows — Seth and Scott Avett sure spend a lot of time ruminating gently on the nature of memory. Performing as The Avett Brothers, they split their time between full-band albums and stripped-down acoustic EPs, but both approaches find them delving frequently into matters of fate and consequences.

The Avetts' 2006 EP The Gleam featured a harmony-drenched little gem called "Yardsale" — a bracingly unsentimental ode to rounding up the past, gathering it up into a great big pile and (both literally and figuratively) setting the whole lot on fire. The new, appropriately named The Gleam II EP opens with "Tear Down the House," which starts as a thematic rewrite — "Tear down the house that I grew up in / I'll never be the same again" — as they list a few of the possessions they'd best leave behind. (In case the undercurrent of self-pity isn't clear, one says of a beloved car, "It's funny how I have to put it to rest / and how one day I will join it.")

But the Avetts are too savvy for a mere retread: About halfway through "Tear Down the House," having set the scene, they let a deeper narrative unfold in a way that reveals their bravado as a desperate plea for escape from the past. As they tersely acknowledge the grief that follows a relationship's end — "I'm talkin' about collapsin' and screamin' at the moon" — it quickly becomes clear that these emotions are nowhere near as unsentimental as they seem. It's one thing to flush away nostalgia and barrel onward; it's another altogether to purge it as a dramatic gesture once the memories are too painful to keep around.

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This story originally ran on Aug. 1, 2008.

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Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)