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Laura Gibson And Cellos A Perfect Match

It's hard to imagine a cello detracting from a pop song: There's something about the instrument's soft, rich tone that supplies a sort of intravenous warmth, adding shading and texture without overwhelming the arrangement. In a remix/remake of Laura Gibson's sublime "Hands in Pockets," Portland Cello Project takes that notion a step further by letting cellos do all the work of a typical band. Gibson's original sounded pretty bare-bones, so PCP actually lends it a bit of additional heft, especially once a soaring solo kicks in two-thirds of the way through.

A charmingly unassuming singer-songwriter who shares PCP's Oregon hometown, Gibson proves a perfect foil for an army of cellos. As a performer, she has a voice so naturally quiet that she almost does the opposite of projecting — she seems to sing inward, in a way that gives her music unmistakable intimacy. Though "Hands in Pockets is by far her most lilting song, that vulnerability makes her an ideal match for the cellos' mixture of grace and gravitas.

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This story originally ran on Aug. 28, 2008.

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Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)