Bach's 'St. John Passion' At Carnegie Hall

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Published March 23, 2012 at 4:00 PM EDT

1 of 13 — Music Director and Conductor Bernard Labadie leads the orchestra called Les Violons du Roy (The King's Violins), plus La Chapelle de Quebec and vocal soloists in Bach's St. John Passion at Carnegie Hall.

Music Director and Conductor Bernard Labadie leads the orchestra called Les Violons du Roy (The King's Violins), plus La Chapelle de Quebec and vocal soloists in Bach's St. John Passion at Carnegie Hall.

2 of 13 — Conductor Bernard Labadie says Bach's St. John Passion is the boldest experience in terms of dramatic expression in all of Bach's output, "The harmonies are the furthest he's ever gone, and as close as he got to opera."

Conductor Bernard Labadie says Bach's St. John Passion is the boldest experience in terms of dramatic expression in all of Bach's output, "The harmonies are the furthest he's ever gone, and as close as he got to opera."

3 of 13 — Tenor Ian Bostridge (left) sings the role of the evangelist, a kind of "reporter on the scene" telling the story of Jesus' arrest, trial, and crucifixion. He's joined by Bass-Baritone Neal Davies (center, as Jesus) and Bass-Baritone Hanno Muller-Brachmann.

Tenor Ian Bostridge (left) sings the role of the evangelist, a kind of "reporter on the scene" telling the story of Jesus' arrest, trial, and crucifixion. He's joined by Bass-Baritone Neal Davies (center, as Jesus) and Bass-Baritone Hanno Muller-Brachmann.

A member of the chorus, La Chapelle de Quebec looks at the score of Bach's <em>St. John Passion</em>, which he wrote for Good Friday services in Leipzig, in April of 1724.

4 of 13 — A member of the chorus, La Chapelle de Quebec looks at the score of Bach's St. John Passion, which he wrote for Good Friday services in Leipzig, in April of 1724.

A member of the chorus, La Chapelle de Quebec looks at the score of Bach's St. John Passion, which he wrote for Good Friday services in Leipzig, in April of 1724.

5 of 13 — Bass-Baritone Hanno Muller-Brachmann was one of the soloists. The soloists play various characters in the story and sometimes just reflect on events.

Bass-Baritone Hanno Muller-Brachmann was one of the soloists. The soloists play various characters in the story and sometimes just reflect on events.

There is evidence that Bach wrote as many as five passion settings. The only two that have survived complete are the more popular <em>St. Matthew Passion</em> and the <em>St. John Passion.</em>

6 of 13 — There is evidence that Bach wrote as many as five passion settings. The only two that have survived complete are the more popular St. Matthew Passion and the St. John Passion.

There is evidence that Bach wrote as many as five passion settings. The only two that have survived complete are the more popular St. Matthew Passion and the St. John Passion.

7 of 13 — In Leipzig, Bach set himself the task to write new music each and every week for all the church festivals. He wanted two complete year-long cycles of such music and the St. John Passion was to be the crowing achievement for his 1724 cycle.

In Leipzig, Bach set himself the task to write new music each and every week for all the church festivals. He wanted two complete year-long cycles of such music and the St. John Passion was to be the crowing achievement for his 1724 cycle.

8 of 13 — A member of Les Violons du Roy, the orchestra Bernard Labadie founded in 1984.

A member of Les Violons du Roy, the orchestra Bernard Labadie founded in 1984.

9 of 13 — Canadian soprano Karina Gauvin sang many beautiful Bach moments in the performance, including the aria "Melt my heart, in flodds of tears."

Canadian soprano Karina Gauvin sang many beautiful Bach moments in the performance, including the aria "Melt my heart, in flodds of tears."

10 of 13 — Music Director and Conductor Bernard Labadie says Bach's music is bold: "With a mixture of 'magma' in the strings. The opening chorus is one of the most electrifying moments in all of 18th century music."

Music Director and Conductor Bernard Labadie says Bach's music is bold: "With a mixture of 'magma' in the strings. The opening chorus is one of the most electrifying moments in all of 18th century music."

11 of 13 — American tenor Nicholas Phan takes a solo.

American tenor Nicholas Phan takes a solo.

12 of 13 — The chorus has several jobs, including taking on the role of the crowds. Plus, they sing the chorales which the congregation, in Bach's time, might have joined in on.

The chorus has several jobs, including taking on the role of the crowds. Plus, they sing the chorales which the congregation, in Bach's time, might have joined in on.

Conductor Bernard Labadie, the orchestra, chorus and soloists acknowledge the enthusiastic applause for their performance of Bach's <em>St. John Passion.</em>

13 of 13 — Conductor Bernard Labadie, the orchestra, chorus and soloists acknowledge the enthusiastic applause for their performance of Bach's St. John Passion.

Conductor Bernard Labadie, the orchestra, chorus and soloists acknowledge the enthusiastic applause for their performance of Bach's St. John Passion.

The Canadian ensemble and vocal soloists, including tenor Ian Bostridge, perform Bach's misunderstood St. John Passion.

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