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Eels: A World Of Futile Yearning

Before he began recording under the name Eels, Mark Oliver Everett released a pair of wryly dark solo albums under the name E. The title of E's first nationally released single, from 1992, summed up a worldview that's propelled him through the long and fascinating career that followed: "Hello Cruel World." That sort of openhearted pessimism has served Everett well over the years, and it continues in earnest on Eels' new Hombre Lobo: 12 Songs of Desire.

Everett's dusky croon radiates futile yearning in "In My Dreams," which finds our hero praising a perfect love: "Whatever's wrong with me," he sings, "her kiss redeems." It wouldn't take a shrewd judge of nuance to sort out where the song is going from there, even if the song weren't called "In My Dreams," in part because Everett does such a tremendous job of infusing his every word with doubt, disappointment and unrequited desire.

There's a reason Eels' songs so often play over movie montages: It doesn't take more than a couplet or two for a song like "In My Dreams" to tell a rich story. As Everett lets his gentle fantasy unfold in detail — "That was the funnest day / Her sad eyes beamed" — the song earns every bit of the affection its narrator craves.

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Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)