Brittney McKenna

In the aftermath of an early-pandemic breakdown, Combs sought solace in a regular songwriting routine. The result is a beautiful, intimate album that grapples with personal and existential questions.

On Shires' latest record, her songwriting is more fearless and vulnerable than ever – but as always, it's a reflection of an artist focused intently on community, equality and inclusivity.

Miranda Lambert's Palomino is, at its heart, an album about the freedom afforded by the open road. But where country music's stuck on back roads, Lambert speeds down the interstate.

Smith has written hits for Miley Cyrus and Garth Brooks, and was set to level up after two records of her own. Then, the pandemic hit. Now, she has a fresh perspective on her new, self-produced album.

Carlile wrote her latest album during COVID-19 lockdown, fresh off having written a memoir. The record plumbs her past with humility, but even more so, celebrates the hard-won wisdom she's gained.

Roots music has always had rule-breakers, but its shift this century toward genre-twisting innovation owes a lot to a 2000 album by three kids barely old enough to vote.

The husband-and-wife duo's new album is an impressive feat of song craft from one of roots music's most exciting, unpredictable acts.

Two and a half years ago, the British singer had a career-sparking moment at a music festival. Now, she's releasing her powerful debut with the help of producer Dan Auerbach.

On her sophomore release The Future and The Past, the heartbreak of Prass' 2015 self-titled debut is still there in spades, but the narrative — as well as the music itself — is somehow grander yet.

Gorgeous harmonies still prevail, but the foursome eschews its earlier Americana to explore chamber pop, all while spinning sparkling yarns of underground bunkers and nuclear fallout.